Saturday 19 May 2012

Why BDSM?


Many of us have fantasies about being dominated by someone who forces on us things that secretly excite us. It’s up to me as a writer to give the reader what she'd never admit to wanting. The more secret a desire, the more arousing it can be to have it expressed. Yet what excites the reader is not necessarily something she'd actually like to do, or have done to her. She may simply like to read about it.

I write both BDSM and vanilla erotica because I enjoy reading both.  I don't believe in a clear distinction; the labels merely indicate directions on a continuum of sexual expression.  Heathcliff is violent and frightening and so is Dracula.  Darcy is not frightening, though he's stern and forbidding.  These three protagonists lie at different points on the line, but all are romantically and sexually attractive. Their dark aspects are a large part of their attraction.  Morticia (The Addams Family) says, "You frightened me...  Do it again."

My characters have different positions on the sexual spectrum. Despite her sexual enthusiasm, Rhoda stands towards the vanilla end. Helen is more adventurous, ranging along the line, enjoying severe BDSM and vanilla by turns.

The sadist and the masochist, despite the joke cliche, are not good bedfellows. The ideal partner for the masochist is probably another masochist, who'll understand what the 'victim' desires, and deliver it in the most satisfying way. Most satisfying for the 'victim', that is. It's a heavy burden, to be responsible for another's punishment - and delight.

Saturday 12 May 2012

Jennie: 7 from 7 from 7 from 7

In response to a challenge forwarded by Simon Whaley, here are seven lines from the seventh page of Jennie, starting at the seventh line:
“I’m sorry, there’s no milk.  Matthew—” and his whore “Must have finished it.”
“That’s all right, Miss Hughes—Jennie—I may call you Jennie?”
“If you like, Mr Williams.  Will you sit down?”
“No, thanks, Jennie.  I’ve called about, well, it’s the rent, you see.”
“Oh.”
“It’s not been paid.”
“But I gave Matthew the money to give you…”

Twenty-seven pages on, Jennie's in jeopardy again (still?). Everyone wants something from her; generally the same thing. And they're all so big, too. Well, taller, anyway. She's now travelling with a borrowed champion bodybuilder and has managed to rescue her copy of Ali Smith's Hotel World, which is one of her favourite books, so she'll have something to read, if she ever gets the opportunity. Maybe her next chapter'll be quieter...

Monday 7 May 2012

My Process

Some writers plan their novels in detail while others claim to simply wind up their characters and let them go.  I'm in the middle.  I need to have the security of a planned destination, so I know the thing isn't just going to fizzle out.  Over a period of time, possibly months, I'll document a list of possible scenes. This is Plan B.  Plan A is what the characters decide to do, and is usually better.
I sketch characters but allow them to develop as I write.  My writing is in part a matter of learning about them, finding out what they'll do in the situations I put them in or create for themselves.  Sometimes they surprise me, and do what I don't expect.  I don't mind this.  It makes my life difficult, but I'm sure the story's better(and more credible) for it.
Day to day, I'll take the idea for a scene and allow my subconscious loose on it, then, usually when I wake up but before I get up, I think about it and about the reactions of my characters.  When I'm ready I get up and write.  I'm a morning person.  When I've written the scene, maybe I'll be inspired to continue to the next, or maybe I'll go and get breakfast.
My heroine was chained to a slave's cot for a few days while I worked out the scene.  It's now complete, and she's been released.  Some might say she's free, but wearing a chain has taught her (and me) a few things about freedom we didn't know before.  I love writing!

Saturday 5 May 2012

Megabook Published!

I've now got nine books published with Torrid Books*.  This latest is an anthology of my three BDSM** novels, In a French Country Vineyard, In an English Country Dungeon and In the Japanese Knot Garden.  It's an opportunity for readers to buy the lot at a saving over buying them separately.  They run in sequence: in Vineyard, Carol and Brian have fun in France, meeting more experienced practitioners Glenn and Deanna.  In Dungeon, young Helen experiences the delights of Carol and Brian's dungeon and meets cruel Deanna and Glenn.  In Knot Garden, Carol learns from a Japanese Rope Bondage expert and Helen demonstrates her skills and knowledge.

I write in both BDSM and Vanilla*** styles.

*Torrid Books is the new name for Whiskey Creek Press Torrid.
** BDSM is Bondage and Domination, SadoMasochism.
*** Vanilla is erotica without BDSM.

Wednesday 2 May 2012

Jennie in Chains

Poor Jennie's now in chains, just when she thought she'd worked out what to do next.  Hope she's enjoying it because she'll have to stay chained up till at least tomorrow...
Here's a relevant quotation from Mary Renault's The Friendly Young Ladies:
"Do you ever worry," said Leo sleepily, "About the situation you leave your characters in when you stop writing? I mean, they've got to stay put like that till one starts again."